A music blog that to provide the best in electronic music, music videos, events and many more...
We will keep you tuned in electro
Let me introduce you to
In this section we interview to artists from electro music world.
The most part of them are young dj and producers and we want you to know a little bit more about them and about their work
Choose a category
Just click on the electro category that you want, and listen the compilation of tracks that we have ready for you.
Have you met
Here we will write small biographies about bands and artists who are becoming important and known.
New memories
Do you remember what were the tracks that introduced you in electro?
We review all those epic sounds and moments
So what about some random electro music
A compilation of the best music of the last days or weeks. We also have here some new videoclips from your favourite artists and some video from lives concerts
Hey! whats going up over there?
Yes, yes, I know... it's been a long since the last post, but hey, I make this as a hobby calm your tits. Ok sry for that, sometimes I think I'm funny... any way, why I'm here? easy, just to keep uploading, eventually, quality posts with interesting information or just with awesome music. This post is one of the second type:
Here's the last master piece of Soulwax celebrating the 30th anniversary of Play It Again Sam (PIAS), 2manydjs have made this special mix containing tracks that were released on the label over the years. PURE GOLD. enjoy!
And, as an extra (because I know you love extras) a Soulwax documentary on Canvas, Belgian Television. High recommend to see (or to start to see and finish burning out your house... for example) bye!
By now you have probably hear a lot about KOAN Sound and their new EP, wich is already out on OWSLA. If you haven't heared about The Adventures of Mr.Fox you still have the chance.
But this post is not to talk about the new EP, but about the huge combination of KOAN Sound (a puzzling, often paradoxical statement or story, used in Zen Buddhism
as an aid to meditation and a means of gaining spiritual awakening) and Reso(a simultaneously moving a whole spectrum of electronic genres forward
while further cementing his place as the overlord of hi-tech dubstep.
With Reso wobble, hypercrunk, breaks, wonky, hip-hop and D n B all
receive the treatment. Reso’s deep musicality, incredible skill,
intricate programming and wildly diverse references place him at the
peak of a new breed of electronic producers)
Check this last name if you didn't know it before cause he is comming hard from UK!
The Toxic Avenger wasn't dead, they just were waiting for the best moment to come back!
3/2/1 is the last single from the «ANGST» album. After electro beginnings in California in 2008/2009 («Toxic is Dead», «Superheroes»), and a comeback in France in 2010 with «N’importe comment» featuring Orelsan or «Alien» featuring Annie, album track “3,2,1” is a thumping, ghostly track that offers a glimpse into Toxic’s dark world with a shimmering ethereal breakdown.
First of all, we are going to remember this track "Alien Summer" that, is a pretty nice job but a little far from the best The Toxic Avenger:
Now as an extra, here's the great remix of Drivepilot of "Angst Two":
And to finish "3 2 1" (feat Heidi Cannon). The best thing about this new single is that The Toxic Avenger is back, but I'm not trying to say that they are making music again, no, they are back to their best toxic electro with that they caught us for the first time, enjoy:
"Simply Dead" was the last clue that we have about Digitalism, that track will be included in the next compilation of DJ-Kicks that is provided by the band (listen it below).
After that, we just were waiting for some advances or something about that compilation, but here's one surprise, because the german duo have made a remix of "Stimming - Funkworm" and sounds really good, check out!
Don't be alarmed, yes, okay, I know it says it is a remix of "Eu Te Pego is Ai," I was a little scared at first too, but I trusted in Neus and I wasn't disappointed!
This brilliant french liked the idea of the Antichrist's remix of "LMFAO - Sexy And I Know It" and wanted to participate in the same way, check out and download for free.
After the arrival of the latest album of Justice came a wave of remixes of most of their tracks, some good, some not. This is one of the good, when we thought nobody would continue with it appears A-Track and makes us a "Bazinga" with this masterpiece. Enjoy!!
And as an extra of A-track here's his last mix!!
Tracklist:
1. A-Trak & Zinc - Stingray (A-Trak Intro Edit)
2. Punky Baxterr - Stoop
3. Phunk Investigation & Schumacher - Critical
4. Hey Today! - Guro Guro
5. Finnebassen - Touching Me
6. Todd Terry & J Paul Getto - Wash The Window
7. Harvard Bass & Bart B More - Pari (NOOB Remix)
8. Audio Jacker - Pull Ya G String Down South
9. Tyree Cooper & Denis Naidanow - Wonderland
10. Danny Brown - Die Like A Rockstar (Brodinski Remix)
11. Zombie Disco Squad - Ibiza Hooligan
12. Country Club - In The Air
13. Q-Tip - Work It Out (Disclosure Booty Call Edit)
14. SCNTST - Mariah
15. Kirko Bangz - Drank In My Cup (Jim-E Stack Remix)
Hard Miami is a festival that was held a few days ago and there acted great DJs like Boys Noize, Brodinski and Gesaffelstein among others. We were lucky because Busy P, who also participated, has released his DJ set! so enjoy it bitches!
And like an extra, check out the last awesome remix of the Justice Track On'N'On by Video Village, seriously awesome shit!!
Some time ago we talked about this remix, we have warned that it was something big, the parisien producer Uppermost has a knack for spinning dreamy/spacey mixes of the best electronic, this is another proof of it.
Take a few catchy pop hooks, infuse with a disco vibe, a smattering of
synthetic/funk tempos and some sweeping, movie melodies, spice it up
with a little club music to fill the dancefloor and you’ve got DatA’s
first out and out sound surfer album. This young French producer, just
23 years old, has mixed styles and influences, and has been able to
produce Skywriter (with the participation of Sébastien Grainger,
Breakbot, Benjamin Diamond and Bogue) after a few EPs and created his
own touch: a modern, digital version of the golden age of groove, pop
and dancefloor, lying somewhere between the disco revolution at the late
Seventies and the resolutely FM style of the Eighties. With 6 successes:Electric Fever (2009), Skywriter (LP) (2009), One In A Million (2009),Rapture (2008), Aerius Light (2007), Trop Laser (2006) and many many remixes behind him, the french producer is back with a remix for Beat Assailant...oh datA, we have missed these beats so much!!
Lest we forget that he still alive, Louis La Roche has made this set of remixes called "Modernize". This name is because it is a set of some of House Music's most classic tracks. If you like this kind of music do you love the job that have done this genius. Enjoy!
Here be the kick-ass new Redial remix of the all mighty Deadmau5′s ‘Strobe’! This HUGE track combined the best relaxing chords of the original one and some new fucking great sounds that make this remix an awesome track.
Hey! Check out the last remix of the Swedish techno producer Style Of Eye of Mayka’s fantastic debut single “Bonanza”. The remix version of the single drops on April 23rd. Enjoy!
It’s Twentytwelve and Housemeister is back!
Inspired by Housemeister’s third album „Music Is Awesome“, released last year, three great acts have delivered their own versions of rapid rave dancefloor tracks.
Producers such as “Kernkraft 400″ warrior Zombie Nation is taking “Clarisse” to the next analog bleep level while – for those who can’t decide – Djedjotronic even delivers two remixes “Ady Gil” and “Rapide”, showing once again his skills in extracting the essential parts of an awesome track.
SCNTST on the other hand effortly worked out the angles of the rollercoaster “Twister” and delivers a remix with elements he’s best known for – dubby techno with playful melodies, highs and lows…always telling a story.
The prestigious name Bromance doesn't sound new to you. This time Mike Levy, aka Gesaffelstein, and
Gucci Vump (Brodinski and Guillaume) launch a couple of new remixes for one of the most beautifull voices they have had the chance to remix. The french electronic producer
from Paris has remixed to ZZT, Cassius, Sei A,... but now he is making something different, something new and amazing, with, in myhumble opinion, the best song of Lana. I personally think that Lana Del Rey's songs are better the less you remix them, but this time Bromance makes the exception.
Martin Solveig is back with a new episode of SMASH. This time for the track that gives name to his incoming EP, 'The Night Out'. An epic and hilarious chapter from one of the best Djs and producers on earth. A room with A-Track, Porter Robinson, Zedd, Dillon Francis and an invisible Madeon. I bet that more of one will kill for five minutes in that room!
You can order Martin's E.P. "The Night Out" on iTunes
And for those who really are interested about music, here you have a little of history about this mastermind...
...perhaps it is our well-documented mutual antipathy, or maybe it is our
well-documented ignorance, but Britain’s perception of French music is
plain wrong. On the surface, it is indeed the land that listens to
Europap and still loves to jive badly to La Bamba ’ but scratch beneath
the surface and you’ll find a wealth of talent gasping for air. It has a
long and noble tradition of fine singers, musicians and producers, from
y y to Guy Cuevas, from Jacques Dutronc to the Saintly Serge Gainsbourg
and Jean-Claude Vannier; from Ze Records to Africanism! and from
Cerrone to, yes, Martin Solveig.Martin Solveig has been involved in
music since he was knee-high. As a boy, he studied classical music. By
age 13 he had acquired his pair of decks and began DJing, although it
wasn’t until 1992 that he discovered electronic music. His schooling
came courtesy of a sales job at the vaunted Parisian record store Champs
Disques on Champs Elyses. Martin’s big break, at the tender age of 18
and thanks to the encouragement and support of mentor Claude Monnet,
came when he landed the residency at prestigious Parisian nightspot Le
Palace. A move to Les Bains Douches, a legendary club in the city, and
then Solveig’s own Pure parties at Queen cemented his growing reputation
as one to watch. But simply being a DJ has never been enough for Martin
Solveig and his production ideas soon began to filter out on to vinyl,
as he always knew they would. If Heart Of Africa, on his own Mixture
label, drew admiring glances, it was his contribution to the Africanism
series (with Bob Sinclar and DJ Gregory), the stunning Edony, which
turned heads. Originally intended purely as a club track, Edony shot to
the top of club charts and from there launched itself into mainstream
arenas. Martin’s debut album, Sur La Terre, was the work of a young man
bursting with ideas, styles, and experiments. Over the next few years
Solveig hit hard with one killer cut after another, abetted by some
frankly brilliant mixes by the likes of Pete Heller and Mousse T.
Rocking Music, with its echoes of Prince and Michael Jackson, was an
instant anthem wherever it was played and transferred from underground
floors to Radio 1 playlists with consummate ease. The follow-up, I’m A
Good Man, voiced by legendary growler Lee Fields, was a plaintive cry
from a wronged man and in Mousse T’s Breakbeat Mix brought a taste of
Noo Orleans funk to modern electronic dancefloors. ‘The new album
probably has a slight flavour of the ’60s and ’70s, which have always
embodied a certain freedom for me, being a child of the 80s, the
economic crisis, the condom generation?!
Then I’m into wine, parties and
low necklines, so I feel quite in tune with the title.’ So says Martin
of his latest album, Hedonism, which amply showed the maturation of his
productions, moving effortlessly from the familiar terrain of
four-to-the-floor rhythms, to take in the sub-R&B of Black Voices or
the audacious modern reading of Requiem Pour Un Con. ‘Serge Gainsbourg
is a master and I wanted to pay humble tribute,’ says Martin. ‘The song
provides a little break in the album’s progress, as well as a French
touch that I’m attached to. I think the best songs are made to last and
be covered. New versions always have something new to add, even if they
never achieve the magic of the original.
‘This cover version, defiantly
electronic, compared to the sparse and organic original, ably
demonstrates the Solveig modus operandi, producing music that is
simultaneously synthetic and natural, warm and glacial. ’I use both
electronics and live musicians, sometimes with classical instruments
like keyboards, horns and any piano instruments,’ explains Solveig.
‘Most of my drums are programmed, but what I really love is using
classical instruments with an electronic device. For example I used a
big B3 Hammond organ, recorded a whole session with a musician and then
took bits from it and made it sound almost like an electronic sample.
You still have the good quality of the instrument, but with the ability
to make it a bit faster or more repetitive or whatever. That’s what I
like ’ to get inside an organic sound and make it electronic.’ Martin
Solveig is not prolific, but everything he makes is worth waiting for.
He has always eschewed the remix treadmill, not because he disapproves
of it, but it is simply not his path. Solveig’s destiny lies elsewhere.
His life is good. Fulfilled. ‘Even if I sometimes grumble a bit from
tiredness, I’m a child blessed by fortune and very happy in his everyday
life,’ chuckles Martin. ‘I should quote Karl Lagerfeld: ’Holidays are
for people who work’.’ And all work and no play would make Martin a very
dull boy indeed.
Playlisted right after he started out by
some of the biggest names in electronic music such as SebastiAn,
Kavinsky, and the Bloody Beetroots ; it did not take him long time to be
seen as part of the new French Electronic Generation. The French
student's confusing name comes from his Irish roots, to which he has
always stayed true. Irish Steph spent 15 years of his life learning how
to play piano, violin, bass and drums and finally devoted himself to
making music with a computer. The young man surprised the public
with a mature sound which finds its roots in funk, rock, and classical
but also in traditional Irish music. Two EP releases followed on French
record label Paranoiak : 'Power' in September 2010 and 'Crush' the
following year, which had been playlisted by BBC Radio 1 (Kissy Sell Out
and Nick Grimshaw), Le Mouv' (Laura Leishman Project), and FG Dj Radio
(French Government). Following a run of concerts throughout France
with acts including Etienne de Crecy, Birdy Nam Nam, Fukkk Offf and many
others, Irish Steph is now back reworking Da Funk!
Pendulum formed in their home-town of Perth (Western Australia) in 2002, when producers Rob Swire and Gareth McGrillen teamed up with acclaimed local DJ Paul 'Elhornet' Harding. While their individual formative roots ranged from producing drum & bass, breakbeat and hardcore, to playing in metal and punk bands, their comparable talents proved an unstoppable force when they managed to single-handedly conquer the world of drum & bass in their first 12 months together.
And the theme of this post is that this guys recently have made a remix of the well-known track of Prodigy "Voodoo People". And have counted with the help of the director Ron Scalpello to make a great video. The track gets a techo/drum and bass induced update by experimental Aussie upstarts Pendulum. Needless to say, it doesn't quite match the original, but it still delivers a techo-fused boot to the throat. Enjoy.
It seems incredible that at this point this is the first post in which we mentioned directly to Moonlight Matters... Any way for those who do not know Moonlight Matters is what happens when the sun goes down, The mood is right, and creativity is set loose...
Sebastiaan Vandevoorde's style is hard to pinpoint but certainly has no lack of personality, his versatility is his strongest point and he's always able to adjust to the right mood for any kind of smart-witted melodic dance music with a great wow factor. His music won't just set your feet on fire and tear up a crowd, it will also make your mind tickle in a surprisingly emotional fashion.
The Phantom's Revenge has a gift for us today! Is seen that he have reached some good numbers of followers on Twitter, Facebook and SoundCloud and their way of being grateful is with an incredible free remix!
A curious thing is that in fact The Phantom's Revenge has not changed
the song but the original where Bangalter took "Colossus". Any way,
enjoy!
Louis La Roche after his latest single Untrue & Touch Wood without leaving his production studio today presents us with a remix of "Marius - Come With Me".
Here is the remix:
1:49 AM
Mike Levy
